Profilograph (after Dürer)

In Vier Bücher von Menschlicher Proportion (Four Books on Human Proportion) (1528), Albrecht Dürer exhaustively examines variations of human form. Not as Vitruvius’ depiction of ideal human measurements, but as a full range of proportional possibilities. This physiognomic treatise establishes the basic parameters for drawing the human face and figure, such as relationships between the eye, nose, mouth, and chin. Over dozens of pages, Dürer shows an incredible variety of male and female figures and facial profiles, drawn by hand but made with a precise mechanical approach to geometric variation.

The six facial profiles Dürer presents early in the treatise are the basis for this machine. Using a process I call Profilography—tracing and extruding a series of sequential contours or profiles—the six faces become a continuous facial profile. Slicing through the extrusion yields new faces, derived from Dürer but absent from his analog treatise. After making the form into a closed loop, I 3D printed the form and mounted it onto a motor-driven spindle. As the piece spins, a light casting a shadow along the profile edge animates the transforming faces. Dürer’s early experiment into parametric transformations arrives at its 21st century digitally-produced conclusion.

Related: Profilograph (after Muybridge)

Feature by Kyle VanHemert on Co.Design
Review by Christopher Jobson on Colossal
Review by Robert T. Gonzalez on io9
Review by Benjamin Sutton on ArtInfo
Review by Harri Thomas on Me & My Moustache
Review by RL Tillman on Printeresting
Review by Marbel Canseco on Imagination Creature
Profile on CreativeBloq
Profile on iGNANT
Profile on Wertical
Profile on Ziguline (in Italian)
Profile in Doba Magazine (in Slovak)

Exhibited in "Kinetica" at Manifest Gallery, Cincinnati, USA
[Exhibit review by Jackie Demaline on Cincinnati.com]
Exhibited in "Computing the Physical" at LEAP Berlin

 
Albrecht Dürer, studies for six faces. From Four Books on Human Proportion (Vier Bücher von Menschlicher Proportion) (1528)
 
The original six faces are used to extrude a continuous figure, blending the faces into new profiles.
 
The continuous extrusion yields a finer resolution that the original six faces. Here, the new profiles are compiled to examine the profile variety.
 
 
The extrusion is bent into a circle such that the morphing between faces creates a continuous loop.
 
Each segment between the original six is built for rapid prototyping.
 
The rapid prototype pieces are joined by a laser-cut aluminum structure and mounted onto a rotating spindle motor. See video for piece in motion..
 
The final assembly rotates on a spindle, revealing face profiles when viewed from the side
 
 
Close up view of aluminum fin with face profile, joining rapid-prototype extrusions.
 
A spotlight aimed at the rotating profile edge creates a morphing face shadow